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The only characteristic you change about pixels is their color. Pixels can only be square, and they take up space. Pixels exist on an immobile grid. Enlarging a pixel-based image results in giant, ugly squares of color. Placing raster images Even with its pixel capabilities, Illustrator is no Photoshop. There are tools and features in Photoshop that are invaluable for adjusting pixel-based artwork.
Adobe recognizes this, so it has provided several methods for moving pixels to Photoshop from Illustrator and from Photoshop to Illustrator.
The most rudimentary way, which has existed for several versions of both software packages, is to save art in a format the other program can read and then to open or place the art in the other program.
To place Illustrator art into Photoshop, save the art in Illustrator format and then open the art in Photoshop.
To place Illustrator art in Photoshop, copy the art in Illustrator, switch to Photoshop, and paste the art into any open document. To place Photoshop art in Illustrator, copy the art in Photoshop, switch to Illustrator, and paste the art into an open document.
This process works best for smaller files. Dragging and dropping The easiest way to move art between these programs is to drag it from one program to the other.
To drag art from Illustrator to Photoshop, select the art in Illustrator and then drag it out of the Illustrator window into a Photoshop window. To drag art from Photoshop to Illustrator, select the art in Photoshop and then drag it out of the Photoshop window into an Illustrator window.
You must have a window from the drag-to application open when you start dragging for drag-and-drop to work between programs. Select the one containing the item you want to drag, select the item in that window, and start the drag. While keeping the mouse button down, press F9 again and continue the drag to the window where you want to drop your selection. To place paths from Photoshop into Illustrator, select the paths in Photoshop with the Path Selection tool, copy the paths, and then paste them into Illustrator.
You can see most of the information about a file by looking at the Document Info panel, as shown in Figure 3. You can use this information to see the graphic styles, patterns, gradients, custom colors, fonts, and placed art.
Knowing what the file consists of when saving it or choosing an option to save or export is helpful. Another option is to save the document information as its own file. Document Info and File Info are two different things. Document Info is a panel found under the Window menu. File Info is found under the File menu, and you can make additions to the information.
Looking at document information You find general file information in the Document Info panel. You select this option to save the information in a text file that you can view in any text editor. This method of viewing the document information offers the advantage of being able to see all the various pieces of information at once without needing to select different menu options.
Finding file information In addition to the document information, you can also view and modify the information about the file. You can use this dialog box to type the information you want to be saved with the file, such as the name of the author and a copyright notice.
The main thing to keep in mind is to save and save often. If you want to retain editing capabilities, save a version as an Illustrator file too. The Document Info is a panel found under the Window menu. The File Info is found under the File menu, and you can make additions to this information. And I talk about the techniques behind many cool effects that you can create by using these tools. Working with paths Understanding anchor points and control handles Drawing paths with the Pencil and Pen tools Working with Paths The most basic element in Illustrator is a path.
A path is what Illustrator calls the black line segment that appears when you draw a line. When you select a path, its anchor points appear. A path must have at least two anchor points, which appear as small squares along the path and control which way the path goes. Paths look different in Preview and Outline modes. In Preview mode, you actually see the line weight, dashed style, color, and any effects applied to that line.
In Outline mode, you simply see a thin line. Depending on the type of anchor points that are on either end of a line segment, you can make a segment straight or curved. A single anchor point never prints anything. For more on selecting paths, see Chapter 6. An example of this is a simple line that you draw with the Pencil tool. For more on compound paths, see Chapter Understanding Drawing and Painting Techniques Understanding anchor points As stated earlier, paths consist of a series of points and the line segments between these points.
These points are commonly called anchor points because they anchor the path; paths always pass through or end at anchor points. Anchor points are automatically created as part of a path; no path can exist without anchor points to define it. Anchor points consist of control handles and control handle lines.
Control handles, which appear as small squares along the path, determine how sharply or gradually the curve bends at each anchor point. Control handle lines run on a tangent along the path and are attached to the path by the control handle.
They determine the direction of the curved path. The next section discusses control handles and control handle lines in more detail. In fact, they appear only in Illustrator and Photoshop, never on artwork imported into other applications. Smooth points keep the path from changing direction abruptly. Every smooth point has two linked control handles. There are no control handles on this type of anchor point.
Each curved corner point has two independent control handles. Each handle controls a curve, and you can change only one side if you want. A combination corner point has one independent control handle. The one control handle controls the curve.
Figure 4. Understanding control handles and control handle lines If an anchor point has a control handle coming out of it, the next segment is curved. No control handle, no curve. As stated before, control handles are connected to anchor points with control handle lines. This presents an interesting problem because each curved line segment usually has two control handles. Just as you might suspect, the control handle exerts the greatest amount of force on the half of the curved segment nearest to it.
The greater the distance between a control handle and its corresponding anchor point, the farther the curve on that end of the curve segment pulls away from an imaginary straight segment between the two points. If the control handles on either end of the segment are on different sides of the curved segment, the curved segment takes on a reversed S shape, as shown in Figure 4. If the control handles on the ends of the curved segment are on the same side, the curve takes on a U shape.
Regardless of whether the anchor point is a smooth point, a curved corner point, or a combination corner point, control handle lines coming out of an anchor point are always tangent to the curved segment where it touches the anchor point. Tangent refers to the touching of the control handle line to the curved segment as it crosses the anchor point, as shown in Figure 4. To adjust the curves without moving the control handles, click the curve and then drag it.
The bottom path is a reversed S shape because the control handles are pulling in opposite directions. But most of the curve creation in Illustrator takes place behind the scenes when you use a drawing tool, such as the Pen tool. Using these four points, you can create any curve; using multiple sets of these curves, you can create any possible shape. After you master the concept and use of these curves, everything about Illustrator suddenly becomes easier and friendlier.
Understanding how fills and strokes relate to paths If paths are the basic concept behind Illustrator, you may be wondering where the colors and patterns fit in. You apply all colors and patterns to Illustrator paths using fills and strokes. Basically, a fill is a color or pattern that appears within a path, and a stroke is a special style that you apply along a path. For more on creating custom fills and strokes, see Chapter You can also fill open paths.
The fill goes straight across the two endpoints of the path to enclose the object. Filling an open path is usually not desirable, although in some circumstances, doing so may be necessary. Because the fill goes from the endpoints of the path, if you have an irregular-shaped path, the fill can look strange. A straight line with a fill can cause problems when you go to print. In PostScript, when you specify a fill but only have two dimensions to an object a straight line , it prints rasterizes at 1 device pixel.
Besides filling paths, you can also stroke paths with a tint of any color or a pattern. These strokes can be any weight thickness , and the width of the stroke is equally distributed over each side of the path. Open paths have ends on the strokes; these ends can be cropped, rounded, or extended past the end of the stroke by half the width of the stroke. Several different paths with strokes are shown in Figure 4.
For more on stroke weight, color, and attributes, see Chapter 5. A single point is also considered a path; however, single points in Illustrator have no printable qualities. When the document is colorseparated, it causes a separation of the color to print, even if nothing else on that page uses that same color, and the separation appears blank. Fills and strokes can also be transparent. Transparency in Illustrator is commonly referred to as a fill, a stroke, or None. For more on transparency, see Chapter 7.
The Pen, Pencil, and Paintbrush tools are the most common drawing instruments, but Illustrator also has a Brushes panel, including three key brushes — the Art Brush, the Scatter Brush, and the Pattern Brush. The Smooth tool and the Path Eraser tool are two other helpful tools. These two tools cut editing time drastically by letting you clean up lines and fix errors with the stroke of a brush.
Of the three main tools used to draw paths in Illustrator, the Pen is the most difficult to use, but it often yields the best results. The Pencil is by far the easiest but requires some editing to smooth the bumpy lines.
The Paintbrush tool combined with a tablet can create some amazing hand-drawn looks in your art. Each tool has its place, and you use all three to achieve the most productivity. So, practice using all the tools to find which one works best for whatever you may want to achieve. The Pencil tool is housed in the Tools panel with the tools that edit it — the Smooth and Path Eraser tools — and draws a free-form stroked path wherever you click and drag the cursor.
The Pencil tool has the unique capability to make the lines you draw look … well … good. Unlike the Pen tool — which creates precise, super-smooth lines but is difficult to control — the Pencil tool is much easier to use, but it draws lines that are far from perfect.
This is because the Pencil tool creates only smooth points and corner anchor points. If you remember the earlier discussion on anchor points, you know this means that you can neither draw a smooth anchor point — although at first glance, you may think you can — nor a straight corner point with the Pencil tool. This makes the construction of precise objects nearly impossible. Before you use the Pencil tool for the first time, you should change the paint style attributes to a fill of None and a stroke of 1-point Black.
Having a fill other than None while drawing with the Pencil tool often results in bizarre-looking shapes. To choose these settings, begin in the color section near the bottom of the Illustrator Tools panel.
Click the Fill square and then click the None red slash box to ensure the fill is None. Select the stroke outlined rectangle and then choose Black to ensure the stroke has a black stroke.
Double-click the Pencil tool. The Pencil tool is the tenth tool down in the Tools panel and is housed with the Smooth tool and the Path Eraser tool which are discussed later in this chapter , which help smooth and edit Pencil tool paths. The Pencil tool, obviously, has a pencil for its icon. Double-clicking this icon opens the Pencil Tool Preferences dialog box, as shown in Figure 4. Adjust the options in the Pencil Tool Preferences dialog box.
A low fidelity value results in sharper angles; a high fidelity value results in smoother curves. The lowest Fidelity number is. In fact, most anchor points created with the Pencil tool — with the exception of endpoints — are curved corner points, which are anchor points with two independent control handles shooting out.
A low Smoothness value results in a coarse, angular path, while a high Smoothness value results in a much smoother path with fewer anchor points. Click OK. Illustrator applies your preferences when you start using the Pencil tool. Begin dragging the mouse. As you drag, a series of dots follows the cursor. The location of a path drawn with the Pencil tool is directly relevant to the speed and the direction in which the cursor moves.
Pressing Caps Lock engaging it changes the cursor from the Pencil shape to crosshairs. The line of points comes from the dot in the center of the crosshairs.
Use the crosshairs if you want to see exactly the point from which the drawing starts. When this option is selected, Caps Lock changes the cursor back to the regular tool. TIP 5. Release the mouse button. The path of dots is transformed into a path with anchor points, all having control handle lines and control handles shooting off from them. The faster you draw with the Pencil tool, the fewer points that are created; the slower you draw, the more points that are used to define the path.
You can repeat the item you just drew quickly and easily. Using the Selection tool, click the object you drew and then press Alt Option. Next, drag the item elsewhere on the Artboard to make a copy of the original object.
For more on the selection tools, see Chapter 6. TIP Using the Smooth tool, you can instantly transform a swooping, uneven, jagged line that looks terrible as you draw into a beautifully curved piece of artwork reminiscent of lines drawn traditionally with a French curve. TIP 89 4 Part I Illustrator Basics How the Fidelity and Smoothness Options Affect a Line B ecause drawing good-looking paths with the Pencil tool and a mouse is just a tad difficult and frustrating, Illustrator provides a way to determine how rough or smooth your path will be before you draw it.
Normally, paths that appear from the dotted lines created with the Pencil tool are fairly similar to those dotted lines in direction and curves and such. When lines are being drawn, though, human error can cause all sorts of little bumps to appear, making the path look lumpy. In some cases, as in map creation, lumpy is good. More often than not, though, lumpy is an undesirable state for your illustrations.
The smoothness — or jaggedness — of the resulting paths drawn with the Pencil tool depends on the Fidelity and Smoothness options in the Pencil Tool Preferences dialog box, which determines how jagged or smooth each section appears, from the dotted line to the path.
As stated before, a low Fidelity value results in sharper angles and a high Fidelity value results in smoother curves, while a low Smoothness value results in a coarse, angular path and a high Smoothness value results in a much smoother path with fewer anchor points. At a Fidelity setting of. Also, many more anchor points are present, although there are still no straight corner points. A setting of.
When the setting is this low, the resulting path follows the dotted line as closely as possible. When the Fidelity option is set to 20, paths created with the Pencil tool appear extremely smooth. Illustrator uses the smallest number of anchor points, and the curve of the line appears to be very graceful. Because so few anchor points are used, much detail is lost, and the path wavers from the original dotted line of the Pencil tool by a significant amount. Drawing open paths and closed paths You can draw both open and closed paths with the Pencil and Pen tools.
Paths in Illustrator may cross themselves. When these paths cross, the fills may look a little unusual. Strokes look normal; they just overlap where paths cross. To create an open path, draw a path with the Pencil or Pen tool, but ensure that the beginning and end of the path are two separate points at different locations. Open paths with fills may look a little bizarre because Illustrator automatically fills in between the endpoints on the path, even if the imaginary line between the endpoints crosses the path.
To see what your friends thought of this book, please sign up. Lists with This Book. This book is not yet featured on Listopia. Add this book to your favorite list ». Community Reviews. Showing See all details. Next page. Learn the basics of drawing, painting, coloring, and uncoloring Master paths, masks, blends, patterns, transparency, and type Become super smart with enhanced Smart Guides Work in multiple pages with Illustrator's new Artboard tool Use pages of practical tricks and tips to improve your designs Conquer the Web with scripts and online design techniques Use multiple Artboards to layer multiple pages Strengthen illustrations by using advanced techniques Create exciting artwork from basic typography.
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Refresh Browser. An error occurred, please try again. International shipment of items may be subject to customs processing and additional charges. I really appreciate someone who takes the time putting everything into a book, and making a complete tutorial- from beginner to advanced user. So far, I have been able to find everything I was looking for. There are so many tips that are not in other Illustrator books. It's my understanding that Ted Alspach was one of the original designers of the Illustrator software and so he has unique insight as to how the software works.
As with all the Bibles, the Adobe Illustrator CS4 volume is full of helpful tips and instructions for getting the most from the program.
Alspach is a qualified, patient teacher and good author. Got my book order very quickly and it was in like new condition just as I hoped. Thank you! The Wiley Bibles are a must have, both to use as a look up document while working as well as read through to learn new features. See all reviews. Language English.
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❿Adobe illustrator cs4 bible free.Product details
If you rely on Illustrator every day, you can't afford to be behind the curve. This comprehensive guide is just illustrtaor you need to become current and stay that way, from drawing basics to advanced techniques.
Adobe expert Ted Alspach reveals the latest on Illustrator CS4's new tree, thoroughly explains how to integrate Illustrator with the rest of the Creative Suite, and, best of adobe illustrator cs4 bible free, teaches you step-by-step how to create designs that work beautifully, whether in print or online.
Ted Alspach is the author of more than 30 books on graphic design and publishing, including Illustrator For Dummies and previous editions of the Illustrator Bible. Ted spent eight years at Adobe on the Illustrator and Creative Suite product management teams, источник him to provide a unique perspective on getting the most out of Adobe Illustrator CS4. Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product adobe illustrator cs4 bible free them.
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November 24, Print length. See all illkstrator. Next page. Learn the basics of drawing, painting, coloring, and uncoloring Master paths, masks, blends, patterns, transparency, and type Become super smart with enhanced Smart Guides Work in multiple pages with Illustrator's new Fred tool Use pages of practical tricks and tips to improve your designs Conquer the Web with scripts and online design techniques Use multiple Artboards to layer adoeb pages Strengthen illustrations adobe illustrator cs4 bible free using advanced techniques Create exciting artwork from basic typography.
Tell the Publisher! I'd like to read this windows server 2012 datacenter license price free download on Kindle Don't have a Kindle? About the author Follow authors to get new release updates, plus improved recommendations.
Ted Alspach. Brief content visible, double tap to read full content. Full content visible, double tap to read brief content. Read more Read less. Customer reviews. How customer reviews and ratings work Customer Reviews, как сообщается здесь Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
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Please try again later. Verified Purchase. I ordered this book for 2 girls in my office trying to improve their graphic design skills. Currently they are beginners, but within 1 month they have grasped the essentials of using the program to produce work we have a marketing company. The sections are well laid out, well thought out, and very clear.
There is not a CD or DVD that accompanies this book, but you will have fun doing the exercises and logically progressing through the very well organized book. I really appreciate someone who takes the time putting everything into увидеть больше book, and making a complete tutorial- from beginner to advanced user. So far, I have been able to find bivle I was looking for.
There are so many tips adobe illustrator cs4 bible free are not in other Illustrator books. It's my understanding that Ted Alspach was one of the adobe illustrator cs4 bible free designers of the Illustrator software and so he has unique insight adobe illustrator cs4 bible free to how the software works.
As with all the Bibles, the Adobe Illustrator CS4 volume is full of helpful tips and instructions for getting the most from the program. Alspach is a qualified, patient teacher and good author. Got my book order very quickly and it was in like new condition just as I hoped.
Thank you! The Wiley Bibles are a must have, both to use as a look up document while working as well as read through to learn new features. See all reviews. Your recently viewed items and featured recommendations. Back to top. Get to Know Us. Make Money with Us. Amazon Payment Products. Let Us Help You. Amazon Music Stream millions of songs. Amazon Advertising Find, attract, and engage customers. Fs4 Drive Cloud storage from Amazon. Alexa Actionable Analytics for the Web. Sell on Amazon Start a Selling Account.
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